匈牙利的纸币设计

匈牙利设计师Bernat Barbara为她的MA学位项目设计了这些钞票系列。匈牙利欧元钞票系列。每个音符的共同的一面是欧洲的动物，另一边则是植物的相关物种。钞票是原始的蚀刻版画。Bidka和barbesz设计并准备了五种十种蚀刻，全部蚀刻在单独的铜板上。这种微妙而精致的复制方式使我能够模仿在制作钞票时使用的原始技术。我的目标是用清晰的设计创造出一个完整的系列，超越了纸币制作的传统。设计ProcessI只希望保留钞票的基本视觉元素。图形旁边最重要的部分是面额、序列号、发证机构和授权签署人。我留下了不必要的安全图形元素，以得到清晰的视觉冲击。我想强调的是动物和植物，印刷术和安全标志在我的笔记上是次要的。我从缩略图开始，它们演变成更详细的草图，这导致了我最终的布局。系列设计印刷工艺制作了1、5个鳞片石墨的每一个品种，为最终的蚀刻画的轮廓。蚀刻版画直接印在数码印刷的基础上。所有的这些都是我亲手做的。详细的货币设计图形设计。

Hungarian designer Bernát Barbara came up with these banknote series for her MA degree project. Hungarian euro banknote series. The common side of each note features european animals, the other side shows related species of plants. The banknotes are original etching prints.For more from Bernát Barbara visit behance.net/Bidka and barbesz.tumblr.comI designed and prepared five denomations of ten etchings, all etched in separate copperplates. This subtle and refined form of reproduction enabled me to imitate the original technique used during the production of banknotes, intaglio printing. My goal was to create a complete series with clear design, that transcends the tradition of banknote making. Design ProcessI only wanted to keep the essential visual elements of a banknote. The most important parts beside the graphics are the denomination, the serial number, the issuing authority and the authorized signatories. I left the the unnecessary security graphic elements behind, to get a clear visual impact.I wanted to emphasize the animals and plants, the typography and the security marks are secondary on my notes. I started with thumbnails, they evolved to more detailed sketches, which lead to my final layout. Serial Design Printing ProcessI made 1,5 scale graphite drawings of each species, which were the outlines for the final the etchings. The etchings are directly printed on digital print basis. All of them are inked and hand-pulled by me. Details money design graphic design