法国摄影师Pascal Goet巧妙地运用了光线和阴影的细微变化,巧妙地处理了各种昆虫的细节,突出了它们拟人化的外观。Goet并没有改变任何颜色,但是专注于让身体的区域逐渐消失或者变得更加明显。通过这个过程,面孔出现了,这是人类在另一个无法联系的物种中的反映。这一点在展览上印刷得很大时尤为明显。在过去的26年里,戈耶一直在拍摄微距摄影。今年早些时候,他在巴黎的Blin Plus Blin Plus举行了个展,主题仅为“面具”。
Using subtle changes in light and shadow, French photographer Pascal Goet subtly manipulates the details of a variety of insects, highlighting their anthropomorphic appearance. Goet does not alter any of the colors associated with the brilliantly hued bugs, but instead focuses on letting areas of the body fade away or become more pronounced. Through this process faces emerge, a human reflection in an otherwise unrelatable species. This aspect is especially pronounced when printed quite large for exhibitions, where the audience has their own face come into contact with an imitation of one.“An authenticity is vital for my involvement in this work,said Goet to Colossal. “The large size prints create a genuine encounter between the viewer and these amazing personages, people of a parallel world.”Goet has been shooting macro photography for the past 26 years. He had a solo exhibition of this work earlier this year at Paris-based Blin Plus Blin simply titled “Mask.You can see more images of this series on his website. (via Colossal Submissions)