Hyuro不朽的壁画

塔玛拉·朱罗维奇(Tamara Djurovic)，艺名Hyuro，将2018年作为她最多产的一年。她从巴西、意大利、西班牙到比利时和荷兰，到处都有引人注目的、多样的不朽壁画，她的作品看上去如此令人印象深刻，她的美学也如此与众不同。Hyuro在阿根廷长大，很小的时候就被壁画所吸引。在没有特定主题的情况下，Hyuro的工作经常关注和描绘人类更复杂的一面。她解释说，我感兴趣的不仅仅是从表象的角度，而是一种不断了解自己的方式，以某种方式试图更好地理解或消化我们生活的世界。

Tamara Djurovic, who goes by the artist name Hyuro (previously), is wrapping up 2018 as arguably her most prolific year. With striking, diverse, and monumental murals painted everywhere from Brazil, Italy, and Spain to Belgium and The Netherlands, her output never looked more impressive and her aesthetics more distinctive.Growing up in Argentina, Hyuro was attracted to murals at a young age. Buenos Aires has a long tradition of culture surrounding public space, and murals have always been an essential element. “[I’m] not sure in which moment I started to love it, or if it was always there,she tells Colossal, “I think I could have never imagined the strong impact that working on public spaces had on me.”What started with flat, often black and white imagery of simplified feminine figures evolved into intricate, highly painterly images that cleverly play with their surroundings and architecture. Without a particular theme to work within, Hyuro’s work is regularly focused on commenting and portraying the more complex side of human beings. She explores how our inner lives affect the relationships with have with ourselves, and how they are reflected in society.The personal aspect of her work starts with her observations and concerns, continues through reference photos she creates for each piece, and then transfers onto passersby who observe the murals and create different interpretations of them. “I’m not interested in these subjects only from a representation perspective, but as well as a way to keep understanding and knowing myself and somehow try to understand, or digest better the world where we live in,she explains.Spending long stretches alone on a cherry picker or scaffold, it’s the challenge of completing the work that is the most important drive for her, along with the satisfying tiredness that comes after the completion of the work. “This last year I hardly spent time in the studio,Hyuro shares about her 2018 schedule, which was wrapped up with the piece she recently finished in Brazil. Feeling torn about being constantly “on the roadand knowing that some time off is healthy and much needed, she continues her work as it’s a way for her to deal with her most inner feelings. By painting larger than life images depicting everyday moments and nuanced emotions, Djurovic expresses the human experience in a way that both honors and explores the complexities of humanity.You can discover more of Djurovic’s monumental work on Facebook and Instagram.