这些混合石墨画将动物和科技融合在了一起

       哥伦比亚艺术家马特奥·皮萨罗的灵感来自矛盾。他的石墨画将动物与人类创造的元素结合起来，将自然与科技进步或冲突的场景结合起来。一只四翼鹅就像一个飞机螺旋桨，而鸵鸟则用一个灯泡来代替它的小脑袋和嘴。皮萨罗在接受《巨大》杂志采访时说:“我开始意识到，那些真实存在的动物就像想象中的一样超现实，长颈鹿或犰狳就像任何有翅膀的马一样不可思议。”他的作品被收录在波哥大El Museo Gallery 2019年3月7日举办的名为“Lenguajes en Papel”的纸上作品展中，他在蒙特雷举办的个展《内心自我的灾难选集》(An Anthology of es en Papel)将持续到2019年4月。

Colombian artist Mateo Pizarro (previously) is inspired by contradictions. His graphite drawings combine animals with elements of human creation, merging nature with technological advancements or conflicting scenes. A four-winged goose resembles an airplane propeller while an ostrich walks around with a lightbulb as a replacement for its small head and beak.  “Drawing these fantastical animals I have come to realize that the beasts that do exist are just as surreal [as those imagined]: a giraffe or an armadillo is just as improbable as any winged horse,Pizarro tells Colossal.His work is included in a group exhibition of works on paper titled Lenguajes en Papel which runs through March 7, 2019 at El Museo Gallery in Bogotá, and his solo exhibition An Anthology of Catastrophes at Heart Ego Contemporary Art in Monterrey runs through April, 2019. You can see more of Pizarro’s drawings on Instagram and Behance.