在经过两个月的严格封锁后，法国于5月11日开始逐步放松限制。为了纪念其在巴黎的画廊重新开放，Perrotin邀请了首都各地的26家独立画廊来接管它的安-克劳德空间，并在更广泛的当代艺术领域获得进一步的知名度。在这一暂时的后孤立时期，Perrotin并不是唯一表示声援的人。其他蓝筹股机构也对更年轻的空间表示支持，其中包括GalerieThaddaeus Ropac，它将在2000平方米的潘坦画廊(Pantin gallery)中展出60位国际新兴艺术家的作品。
perrotino的倡议是unisons Restons uniso将连续分四个阶段举行，每次都有六到七个画廊受到关注。这是第一次展览，题为“emmanuel: Balice HertlingIsabelle cornarof2007年由Daniele Balice和Alexandra Hertling创作，独立的贝尔维尔画廊将展出同形异型，一系列由Isabelle Cornaro创作的三角浮雕雕塑。在这个系列中，这位法国艺术家代表了西方过度消费和积累的习惯，她将发现的物品融入到她的水晶树脂铸件中。
perrotino的倡议是unisons Restons uniso将连续分四个阶段举行，每次都有六到七个画廊受到关注。这是第一次展览，题为“emmanuel: Balice HertlingIsabelle cornarof2007年由Daniele Balice和Alexandra Hertling创作，独立的贝尔维尔画廊将展出同形异型，一系列由Isabelle Cornaro创作的三角浮雕雕塑。在这个系列中，这位法国艺术家代表了西方过度消费和积累的习惯，她将发现的物品融入到她的水晶树脂铸件中。
On 11 May, France began a gradual easing of restrictions after two months of strict lockdown. To mark the reopening of its Paris galleries, Perrotin invited 26 independent galleries from across the capital to take over itsSaint-Claude space and gain further visibility within the wider contemporary art scene.
Perrotin isn’t alone in expressing solidarity in this tentative, post-isolation period. Other blue-chip institutions are also demonstrating support to younger spaces including GalerieThaddaeus Ropac, who will host the work of 60 international emerging artists in its 2000 sq m Pantin gallery.Perrotin’s initiative, ‘Restons Unis’ will take place in four consecutive phases, throwing the spotlight on six to seven galleries each time. Here’s what to expect from the first exhibition, titled ‘Emmanuel’:Balice HertlingIsabelle CornaroFounded in 2007 by Daniele Balice and Alexandra Hertling, the independent Belleville gallery will present Homonyms, a series of triangular relief sculptures by Isabelle Cornaro. In this series, the French artist represents the Western habit of over-consumption and accumulation, incorporating found objects into her Acrystal resin casts. Isabelle Cornaro, Homonymes IV (grey), 2015. © Courtesy of the artist and Balice-HertlingAnne-Sarah BénichouMarion BaruchNamed after its founder, Galerie Anne-Sarah Bénichou opened four years ago in Le Marais, the go-to Parisian district for arts and culture. In this show, the young gallery is exhibiting the work of 90-year-old artist Marion Baruch, comprising installations made from leftover textile materials and creating an impactful dialogue between art and society.
