通过贝壳的社会生活是阿姆斯特丹的视觉设计师和材料研究员Delphine Lejeune的出版物。这本书是与作家埃斯特班·梅兹-罗塞利(Esteban Gómez-Rosselli)合作制作的，由radraaier SSP印刷。勒琼写道:观察自然是自我发现的关键时刻。从历史上看，贝壳一直是这种做法的一部分，现在它作为纪念品隐藏在其流离失所的背景的平庸背后。通过观察、收集、描述、分类和操作视觉数字档案的实践，重新评估贝壳的旅程，以恢复其状态，首先作为自然物体，作为神话和科学魅力的核心投机对象，作为广泛的价值循环的单位。通过设计研究，旨在挽救coquillage的内心世界。
">Through the Social Life of the Sea-Shell is a publication by Delphine Lejeune, a visual designer and material researcher based in Amsterdam. It was made in collaboration with writer Esteban Gómez-Rosselli and printed by Raddraaier SSP. Lejeune writes:
Looking at nature is a critical moment of self discovery. The sea-shell has historically been part of this practice, which now hides behind the banality of its displaced context as souvenir.This journey to re-evaluate the sea-shell through the practices of observing, collecting, describing, classifying, and manipulating a visual digital archive to reclaim its condition, first as a natural object, as a speculative object that has been central to mythic and scientific fascination, and as the unit of a wide constellation of value circulation. Through design research, it aims to salvage the inner world of coquillage.
Antonym is used throughout, including for the 3D printed sand case.
